Carmelo Bene a Cannes: On the French Reception and the Cinematic Experience of an Irreducible Artist

Author(s)

DOI:

https://doi.org/10.18352/inc26267

Keywords:

Carmelo Bene, Italian cinema, French reception, Cannes Film Festival, Film criticism

Abstract

Review of: Carlo Alberto Petruzzi, Carmelo Bene a Cannes, Fano, Mimesis Edizioni, 2025. 144 pp. ISBN: 9791222319261.

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Author Biography

  • Maura De Benedetto, -

    Maura De Benedetto studied Modern Literature and has obtained an Erasmus Mundus Master’s degree in European Literary Cultures, with a thesis on the critical reception of Carmelo Bene’s theatre in Italy and France. She also completed a Master’s programme in Performing Arts Entrepreneurship. She works in theatre organisation for Cantieri Meticci APS and Ultimi Fuochi Teatro – Impresa Sociale, focusing on organisational management and project writing. Alongside her professional activity, she writes and collaborates with the theatre criticism journal Altre Velocità.

Incontri 2025_2

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Published

2026-08-27

Issue

Vol. 40 No. 2 (2025): Incontri 40/2 (2025)

Section

Reviews

License

Copyright (c) 2026 Maura De Benedetto

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

De Benedetto, M. (2026) “Carmelo Bene a Cannes: On the French Reception and the Cinematic Experience of an Irreducible Artist”, Incontri. Rivista europea di studi italiani, 40(2), pp. 203–205. doi:10.18352/inc26267.