Introduction

Author(s)

DOI:

https://doi.org/10.18352/inc27684

Keywords:

Cultural Imaginary, Media, Genre Hybridization, Identity, Nation

Abstract

This special issue contributes to the ongoing debate surrounding the controversial legacy of the Risorgimento, with the aim of fostering a deeper understanding of the construction of the Italian nation-state through perspectives that depart from the dominant paradigms of post-unification Italian culture. Far from constituting a settled myth, the Risorgimento remained a persistent site of tension from the early 1860s onwards. Both materially and symbolically, the image of Italy became a visible arena in which the transition from patriotic idealism, shaped by heroic narratives and teleological interpretations, to a profound disenchantment brought about by modernity unfolded. The critical reappraisal of the Risorgimento imaginary took place within a rapidly changing cultural system in which theatre and, above all, literature relinquished part of their autonomy in order to engage with the new media environment created by the expansion of the periodical press. From this perspective, the contributions gathered in this issue examine how intellectuals and writers redefined key categories such as the people, power, and the nation, dismantling the conventions of celebratory rhetoric in order to identify the contours of a social and historical “truth” far more complex than that conveyed by established national narratives.

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Author Biographies

  • Marco Borrelli, University of Naples - L'Orientale

    Marco Borrelli graduated with a degree in Filologia Moderna from the University of Naples Federico II and earned his PhD from Roma Tre University, in a joint program with the ENS de Lyon. He is currently a research fellow in Contemporary Italian Literature at the University of Naples L'Orientale, under the PRA - ALMAMED program, with a research project on Giovanni Comisso and the Mediterranean. In the field of periodical studies, his work focuses on the relationship between the modern short story and post-unification magazines. He is the author of the monograph Nell’officina del verismo. La novellistica della «Rassegna Settimanale» (Napoli, 2023). In addition to essays on the Scapigliatura (Tarchetti, Dossi, Faldella) and Verismo (Verga, Navarro della Miraglia, Fucini), his research interests include reception studies, specifically focusing on Verga in Pasolini, Marco Polo in the twentieth century, and Machiavelli during the Risorgimento. 

  • Maria Collevecchio, University of Parma

    Maria Collevecchio is a Research Fellow in Contemporary Italian Literature at the University of Parma, within the PRIN 2022 project TESTI MO.N.E. (Italian Theory and History of Novella Publishing). She is currently working on a project investigating the evolution of the modern short-story in relation to Italian periodicals of the 1880s. In 2023 she earned a PhD in Italian Studies from Sapienza University of Rome with a dissertation on the early works of Luigi Pirandello. She has published several essays on Pirandello, Verga, Borgese, Spaziani, and is the author of the monograph Luigi Pirandello a Palermo. La formazione e gli esordi (Rome: Bulzoni, Quaderni dell’Istituto di Studi Pirandelliani, 2024).

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Published

2025-12-01

How to Cite

Borrelli, M. and Collevecchio, M. (2025) “Introduction”, Incontri. Rivista europea di studi italiani, 40(1), pp. 1–9. doi:10.18352/inc27684.