Representations of the Kingdom of Italy in Verga’s short-stories.
DOI:
https://doi.org/10.18352/inc27694Keywords:
Verga, National Unification, Estrangement, People, ModernityAbstract
From the patriotic structure of his early novels (I carbonari della montagna, 1861, and Amore e patria, unpublished) to the ironic and caustic representation of the Carbonarist conspiracies in Mastro-don Gesualdo (1888–89), Verga's fiction deals with the reality of contemporary Italy through a progressive awareness of the relative and problematic nature of national unification. This article analyses the representation of the Kingdom of Italy in a selection of short stories from Novelle rusticane ('Cos’è il re'), Per le vie ('Via Crucis', 'Camerati') and Vagabondaggio ('…e chi vive si dà pace'). The theme of alterity seems to fit within a framework that transcends the social and geographical dimension that marked the otherness of Aci Trezza's, taking on instead a more existential dimension.
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Copyright (c) 2025 Nicole Valeri

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